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Timothy Ridout
Image credit: © Jiyang Chen

Viola Day

Timothy Ridout viola; Hélène Clément viola; Ting-Ru Lai viola; Matthew Lipman viola; Eivind Ringstad viola; Georgy Kovalev viola; James Baillieu piano

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Date
Sat 14 Nov 2026, 3.00pm
Tickets
£18 (concessions £16)
+£4 booking fee per transaction
Duration

This concert will be approximately 1 hour in duration, without an interval

Availability

Important Information

Slight Change of Programme

Please note that the programme for the above concert has changed slightly and will now be as below.

Artists

  • Timothy Ridoutviola
    Associate Artist
  • Hélène Clémentviola
  • Ting-Ru Laiviola
  • Matthew Lipmanviola
  • Eivind Ringstadviola
  • Georgy Kovalevviola
  • James Baillieupiano

Programme

      • Viola Sonata Op. 11 No. 5
        :
      • IV. In Form und Zeitmass einer Passacaglia: das Thema sehr gehalten

Overview

The first half of the last century saw a remarkable flowering of new music for viola, inspired in part by the influence of the great violist Lionel Tertis, in part by composer-performers such as Cecil Forsyth and Paul Hindemith. The Passacaglia from the latter’s expressionist Sonata for solo viola Op. 11 No. 5 provides a powerful contrast to the gentle lyricism and sparky energy of York Bowen’s two Duos and radiant beauty of his Romance in A. Timothy Ridout includes the rhapsodic eloquence of Forsyth’s Chanson Celtique and a brace of miniatures by Frank Bridge, first published in 1908 in a Viola Library volume edited by Tertis, then professor of viola at the Royal Academy of Music in London and already a star soloist.

Booking Information

£5 tickets for Under 35s available. Login to book. View all U35 concerts and more information

Thanks to the generous support of the CAVATINA Chamber Music Trust, we are also able to offer a strictly limited number of free tickets for young people aged 16-24. Find out more here


For more information about your visit, please see our FAQ and Access pages.

This concert is supported by The Tertis Foundation in memory of Lillian Tertis

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