Reviews of Christian Blackshaw’s Mozart Series at Wigmore Hall have reported on the ‘maturity and uncompromising spirit’ and the individuality of his interpretations.

Blackshaw, whose early thoughts on Mozart were developed with lessons from Sir Clifford Curzon, concludes his survey of the composer’s piano sonatas with two youthful works, complete with the famous ‘Turkish Rondo’ of K309, and his final contribution to the genre, the majestic Piano Sonata in D K576.