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Harriet Burns
Image credit: © Benjamin Ealovega

Archived Event

Johnson's Dictionary: An A - Z of Song III (R-Z)
Harriet Burns soprano; Ema Nikolovska mezzo-soprano; Robin Tritschler tenor; Ashley Riches bass-baritone; Graham Johnson piano; Dame Janet Suzman narrator
Date
Sat 06 Jul 2024, 7.30pm
Tickets
Archived Event
Duration

This concert will be approximately 2 hours in duration, including an interval

Availability

Artists

  • Harriet Burnssoprano
  • Ema Nikolovskamezzo-soprano
  • Robin Tritschlertenor
  • Ashley Richesbass-baritone
  • Graham Johnsonpiano
  • Dame Janet Suzmannarrator

Programme

      • Minnespiel Op. 101
        :
      • So wahr die Sonne scheinet
      • Extract from Musikalische Haus- und Lebensregeln
      • Myrthen Op. 25
        :
      • Aus den östlichen Rosen
      • Minnespiel Op. 101
        :
      • Mein schöner Stern!
      • Myrthen Op. 25
        :
      • Widmung
      • Stiller Gang Op. 31 No. 4
      • Ach, was Kummer, Qual und Schmerzen Op. 49 No. 8
      • Songs for Ariel
        :
      • Where the bee sucks
      • Full fathom five

Interval

      • Anon in love
        :
      • To couple is a custom
      • A Song for the Lord Mayor's Table
        :
      • The Contrast
  • Hugo Wolf
    1860-1903
      • Goethe Lieder
        :
      • Anakreons Grab
      • Italienisches Liederbuch
        :
      • Geselle, woll’n wir uns in Kutten hüllen
      • Heut' Nacht erhob ich mich
      • Heb auf dein blondes Haupt
Epilogue:

Overview

VI: SCHUMANN to VAUGHAN WILLIAMS

In his song ‘Widmung’ Schumann quotes the melody of Schubert’s ‘Ave Maria’ – a prayer sung by Ellen Douglas in Walter Scott’s Lady of the Lake. A reading for Ophelia from Shakespeare’s Hamlet introduces Hamlet as portrayed by Shostakovich. Sibelius provides a song from Twelfth Night and, later in the programme, there are miniatures by Tippett from The Tempest. Scenes of country life in Russia (by Stravinsky and Tchaikovsky) are followed by the contrasting English imagery of Tennyson and the ardent Anglicanism of Vaughan Williams.

VII: VERDI to ZILCHER

This final round-up begins with songs of love in all its guises (Verdi, Verlaine, Viardot), the contrast of town and country (Walton and Weber), and two fine composers on bird life (Weir and White). There is a selection of songs by Wolf, a song by a mystery composer (X) and this musical journey through the dictionary is brought to a close with nocturnal scenes from Yvain, Zelter and Zilcher.

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